Sub Navigation
12 Variations
After Figaro
After Nina
As for bass clar...
Attack
B-bouncing...
Barren Grounds
Beach Burial
Black River
Calling Music
Chamber Suite
The Children's...
Chorale, Demon..
Christmas Song
Cloud Burning
Collide
Dead Songs
Deep blue...
Devil's Music, The
Distant Shore, A
Diver's Lament
Duo Variations
Ekstasis
Endling
Etudes Espace
Ether Etude...
Everlasting...
Falling Man
From Fire Co..
Ghosts of Reason
Going Into Sh ..
I Am Black
I am writing...
In Tempore Stellae
Journey to Horse..
Lines Drawn Fr..
little tree
Magnificat
The meaning of...
"Mephisto"
Night Birds...
Night Flight
Once upon a time
Paradise Bar...
Piano Sonata
Quicksilver Ser ..
Respiro/Simple ..
Sea Call
Sea-Change
Septet No.2
Shadow's Dance
Silk Canons
Silken Weave
Simplify...
Sleepers Wake
Sonata Sopra..
Sonatina (clarinet)
Sonatina (violin)
Song of Songs
Southern Ocean
Stick Dance
Stick Dance II
Stick Dance III
Stille Sprache
Study After...
To the evening...
Three Architects
Three Pieces...
Three Songs for...
Tonic Continent
Violin Concerto
Wiegenlied
Wild flower
Wind Quintet..
Willow Bend
Winter Ground
Page Anchors
not applicable
|
|
Sea-Change (1987)
for solo piano
It is hard to say the sea excites the imagination, without sounding clichéd.
Yet its constant regeneration, its power and its myriad shapes, impressions
and dramatic changes of colour are for me, overwhelming. As Shakespeare
knew, the sea is also a metaphor for life.
Full Fathom five thy father lies;
Of his bones are corals made:
Those are pearls that were his eyes:
Nothing of him doth remian that doth fade,
But doth suffer a sea-change
Into something rich and strange
Sea nymphs hourly ring his knell:
Hark! now I hear them, - ding, dong bell.
The Tempest, Act I, Sc. ii
The work has a simple shape of two peaks and a calm, but not settled,
end. The piece is constructed from an initial impetus consisting of three
slowly rotating harmonic sequences of different duration - one in the
left hand and one in the right hand in bell-like chords and the other
moving through the piano's mid-range as arpeggios; these sequences revolve
around each other eventually enmeshing and evolving at key points in the
work. Sea-Change was commissioned by Bernard Lanskey in 1987 with financial
assistance from the Music Board of the Australia Council.
|
|
Home
Contact and Purchasing Links
Buy, borrow, hire scores, parts & recordings, plus all other enquiries: Australian Music Centre
info@australian musiccentre.com.au
Tel: + 61-2-9247 4677
Tollfree: 1300 651 834
Fax: + 61-2-9241 2873
Buy CD recordings on line from Buywell
Concert Biography
1 page PDF doc
News
Click Through
YouTube Videos
Click Through
Publicity Photos
Click Through
|